Monday, October 27, 2014

A00003 - Elizabeth Pena, Actress on the Big and Small Screens

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Elizabeth Peña and Chris Cooper in John Sayles’s “Lone Star” (1996), for which she won an Independent Spirit Award. CreditAlan Papp/Castle Rock Entertainment
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Elizabeth Peña, an actress who appeared in major studio pictures like “Rush Hour,” independent films like John Sayles’s generational drama “Lone Star,” and a host of television shows, died on Tuesday in Los Angeles. She was 55.
Her manager, Gina Rugolo, confirmed her death, saying it followed a brief illness.
Ms. Peña played everything from love interest to comedic sidekick in movies and on television for 35 years. She was a demolition specialist alongside Jackie Chan and Chris Tucker in “Rush Hour” (1998). As Pilar Cruz, a history teacher who rekindles a romance with a small-town Texas sheriff in “Lone Star” (1996), she won an Independent Spirit Award for best supporting actress. “The sultry Ms. Peña gives an especially vivid performance as the character who is most unsettled by the shadows of the past,” Janet Maslin wrote in The New York Times in 1996.
Her first major film role was as Tim Robbins’s lover in Adrian Lyne’s psychological thriller “Jacob’s Ladder” (1990). She reportedly won the part over stars like Julia Roberts, Andie MacDowell and Madonna.
A television regular, Ms. Peña appeared on shows like “L.A. Law,” “American Dad” and “Boston Public.” In the mid-1980s, she starred as a maid who marries her employer to stay in the United States in the short-lived sitcom “I Married Dora,” and starting in 2000 she played a hairdresser in “Resurrection Blvd.,” the Showtime drama about an upwardly mobile Latino family.
More recently she played the mother of Sofia Vergara’s character on the hit ABC sitcom “Modern Family,” even though she was only 13 years older than Ms. Vergara.
Elizabeth Peña was born in Elizabeth, N.J., on Sept. 23, 1959. Her father, Mario, was a Cuban actor, director and playwright, and Ms. Peña spent much of her childhood in Cuba before returning to the United States. She graduated from what is now the Fiorello H. LaGuardia High School of Music and Art and Performing Arts in Manhattan.
She performed in a production of “Romeo and Juliet,” translated into Spanish by the poet Pablo Neruda, at the Gramercy Theater in 1979 and made her film debut in the Spanish-language film “El Super” that year.
Ms. Peña went on to play the mistreated wife of Ritchie Valens’s half brother in the biopic “La Bamba” (1987); Jamie Lee Curtis’s confidante in the action film “Blue Steel” (1989); and Richard Dreyfuss’s and Bette Midler’s maid in the comedy “Down and Out in Beverly Hills” (1986).
She also did voice-over work in the animated film “The Incredibles” (2004) and cartoons like “Justice League.”
She married Hans Rolla in 1994. He survives her, as does their son, Kaelan; their daughter, Fiona Rolla; her mother, Estella Margarita Peña; and a sister, Tania Peña.
Ms. Peña said that she researched Mexican-American culture to prepare for her part in “Lone Star.”
“I recorded people’s voices to get the proper inflection,” she told The Ottawa Citizen in 1996. “I crossed the border a whole bunch to collect a lot of history. I would sit for hours looking at the women, how they dressed.”


“In the United States, all Spanish-speaking people are lumped into one category,” she continued. “But we’re all so different.”

Thursday, August 7, 2014

A00002 - Augie Rodriguez, Mambo Dance Master



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Augie and Margo Rodriguez in the 1950s. The couple, fixtures at the Palladium Ballroom in Manhattan, mamboed their way from dance competitions to nightclubs around the world.CreditCourtesy Michael Terrace

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Augie Rodriguez, half of Augie and Margo, the husband-and-wife team who at midcentury helped turn mambo from a sultry social dance into a dazzling public entertainment, died on July 18 in Deerfield Beach, Fla. He was 86.
The cause was cancer, Margo Rodriguez said.
In the 1950s, ’60s and ’70s, Augie and Margo were among mambo’s most famous exponents, appearing on television, on concert stages and in nightclubs worldwide, often accompanied by renowned bandleaders like Xavier Cugat.
In New York, the couple were fixtures at the Palladium Ballroom, on Broadway between West 53rd and 54th Streets. The space was for decades a mecca of Latin music; there, they often danced to live music by Tito Puente and his orchestra.
In Las Vegas, Augie and Margo opened for many major entertainers, including Frank Sinatra, Dean Martin and Sammy Davis Jr.; they also performed at the White House for Presidents John F. Kennedy and Richard M. Nixon and in London for Queen Elizabeth II.
On television, they were seen often on “The Ed Sullivan Show,” “The Steve Allen Show” and “The Arthur Murray Party.”
Mambo dancing originated in Cuba in first half of the 20th century. As conceived, it was a ballroom affair involving sensual swaying and elegant footwork.
Augie and Margo kept the sultriness and the elegance and added a stunning dose of athleticism, integrating slides, turns and dizzying spins worthy of a figure skater.
They also infused mambo with techniques from other dance traditions, including ballet, jazz and modern. In so doing, they helped usher in the transition from mambo dancing to salsa dancing, which, as the style’s saucy name implies, is an amalgam of diverse genres.
Augustin Rodriguez was born in Brooklyn on May 13, 1928; his father had come to the United States from Spain, his mother from the Dominican Republic.
After service in the merchant marine as a young man, Mr. Rodriguez returned to New York, where he began frequenting the Palladium. For many months, he said, he learned by watching other dancers; only then did he begin to dance himself.
At the Palladium, he was first partnered with Margo Bartolomei, a New Yorker of Puerto Rican and Corsican parentage; like him, she was self-taught at first. They became partners off the dance floor as well, marrying in 1950.
In their early years together, the couple competed in many ballroom dance contests, doing a more traditional mambo. They often won the top prize, which might be as much as $100 or as little as $15.
Before long, they began studying ballet and modern dance. Little by little, almost without their being aware of it, that training crept into their ballroom routines.
“At the time, we didn’t realize we were changing the whole atmosphere,” Mrs. Rodriguez said in a telephone interview on Thursday. “Whatever we learned that day in class, we would put into the mambo.”
In later years, the Rodriguezes taught dance and booked nightclub acts for cruise ships.
A resident of Deerfield Beach, Mr. Rodriguez is also survived by a son, Richard, and two grandchildren.
If, in their transformation of mambo, Augie and Margo ruffled purists’ feathers, it did not bother them in the slightest.
“Some of the dancers said: ‘What are you doing? You’re ruining the mambo!,’ ” Mrs. Rodriguez said on Thursday. “And we said, ‘That’s the way we feel it.’ ”

Tuesday, February 4, 2014

A00001 - Luis Avalos, Actor on "The Electric Company"

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Luis Ávalos on “The Electric Company” in the 1970s. PBS, via Photofest
Luis Ávalos, a Cuban-born actor known for his long tenure on “The Electric Company,” the popular PBS children’s program of the 1970s, died on Wednesday in Burbank, Calif. He was 67.
The cause was complications of a recent heart attack, his friend Gabriel Reyes said.
Mr. Ávalos joined “The Electric Company” in its second season, 1972, a time when there were few Hispanic faces on television. He remained with the show until it went off the air in 1977, appearing in more than 600 episodes.
“The Electric Company,” which taught English grammar and literacy to post-“Sesame Street” viewers, also starred Morgan Freeman, Rita Moreno and Judy Graubart.
A dapper, diminutive man, Mr. Ávalos played several recurring characters. He was known in particular for Dr. Doolots (sometimes spelled Dolots), a white-coated amalgam of the fictional Dr. Dolittle with all three Marx Brothers — boasting the voice of Groucho, the dash of Chico and the hair of Harpo.
Dr. Doolots, quite literally a prescriptive grammarian, ministers to his patients’ sundry linguistic ills with bumbling manic energy.
Mr. Ávalos’s other regular television roles include Dr. Thomas Esquivel on the CBS sitcom “E/R” in the 1980s and Principal Rivas on “Hangin’ With Mr. Cooper” in the ’90s.
His film credits included “Hot Stuff” (1979), “Stir Crazy” (1980), “Hollywood Homicide” (2003) and “$5 a Day” (2008).
Mr. Ávalos was born in Havana on Sept. 2, 1946, and moved to the United States with his family when he was very young. Originally trained as a stage actor, he earned a bachelor of fine arts in theater from New York University and afterward joined the Repertory Theater of Lincoln Center.
His Broadway credits include a 1970 revival of Brecht’s “The Good Woman of Setzuan”; he also appeared Off Broadway and in regional theater.
He had guest roles on many TV shows, among them “The Jeffersons,” “Barney Miller,” “Hill Street Blues” and “NYPD Blue.”
A resident of Los Angeles, he was the founder and artistic director of the Americas Theater Arts Foundation there, which supports productions of plays with Latin American themes.
Mr. Ávalos’s only immediate survivor is his companion, Angel Febo.
In 1983, Mr. Ávalos starred in “Condo,” a short-lived ABC sitcom about an upscale white family and its Hispanic neighbors. The series, which also starred McLean Stevenson, was faulted by some critics for trafficking in ethnically based insult comedy.
“I think that the greatest enemy to the understanding among people of different backgrounds is not the expression of ideas or the occasional trading of insults,” Mr. Ávalos told The Associated Press in response. “The greatest enemy is invisibility.”

***

Luis Avalos (September 2, 1946 – January 22, 2014) was a Cuban character actor. He made numerous film and television appearances, most notably in the 1970s children's television show The Electric Company. He joined the show in season two, playing, most notably, Doctor Doolots. His most notable movie role was as Ramon in the 1979 comedy Hot Stuff when he starred alongside Jerry Reed, Dom Deluise and Suzanne Pleshette.
Avalos also starred as Jesse Rodriguez on the short-lived situation comedy Condo with McLean Stevenson, and as Dr. Tomas Esquivel on the short-lived situation comedy E/R with Elliott Gould and Mary McDonnell. Additionally, he starred as Stavi in the comedy The Ringer with Johnny Knoxville.
He died on January 22, 2014 of heart failure, after a recent heart attack[1] at Burbank.[2][3]

Introduction

The biographies contained in this blog are the biographies of people who I have encountered over the last thirty years who made an impression on me.  Some are famous people, many are not.  However, I have found that even the biographies of those who are not famous are often as important as those of the ones who are famous.  May God bless them all ... wherever they may be now.

Peace,

Everett "Skip" Jenkins

Fairfield, California

August 25, 2023

November 6, 2023 

March 26, 2024

July 19, 2024

August 28, 2024

My Tribute

 The main notoriety I have achieved in this life is based upon my writing.  I have written six books (Pan-African Chronology [three volumes], The Muslim Diaspora [two volumes], and The Creation [one volume]) which achieved some notoriety and I have begun three massive blogs Biographies, Who's Who in Islam and The Muslim Compendium which have garnered additional notoriety.  However, whatever notoriety I have achieved for my writing has always seemed a bit undeserved.  Truth be told, I write not for notoriety, but for God.  In the coming days, I hope to be able to elaborate on why I do this.  However, suffice it to say that every book I write and every blog I begin, begins with a tribute to God.  I can only pray that God will continue to find what I write to be an expression of God's will.

Peace,

Everett "Skip" Jenkins

Fairfield, California

November 28, 2021

March 26, 2024

July 19, 2024

August 28, 2024